Well, I watched a portion of episode 2 of North and South tonight. Yum! I forced myself to turn it off in order to save some for tomorrow, but it wasn't easy.
Hurry, Netflix, hurry! But I know it won’t come tomorrow.
Oh, the moments! A few favorites:
The mother tells Richard that Margaret loves him, citing the way she rushed out to him on the balcony and clung to him. I am loving the mother. She is such a rich character! And I love when characters point out stuff to me that I stupidly don’t catch. Like the significance of that. I wouldn’t have drawn that conclusion, but I think mothers have certain psychological powers around their children, so I bought it. And it was so touching, she asks him not to go to Margaret, and that she wishes to be first in his affections, if only for one more day.
Also, I wonder if Margaret only realized she loved Richard at that moment. She tells him to go out there, and then he goes and then, after he’s out of the room she says “…and take care.” And then she rushes after him.
The handshake. Or perhaps I should say the titillatingly slow release from the handshake.
Our hero and heroine look back on the balcony scene. Richard looks back and the image that comes to him is her laying there wounded. Margaret looks back and it’s the brief embrace she recalls most strongly. What a great touch!
Richard removes his cravat. Katie(babs), I believe, said in recent comments here, “Isn't Richard so sexy in his cravat?” Yes indeed he is. The sexiness of Richard in his cravat, however, is but a dim candle compared to the brilliantly blazing sun of him ever so casually removing his cravat in a scene…what scene WAS it? What was happening? I don’t recall. All memory functions were overridden by the staggering view, there within the stiff V of starched shirt, of Master Thornton’s fine and masculine neck.
Margaret. Overall, I love Margaret, and I love the way she looks, and her sort of wonderful plumpness. Oops, that’s not a moment.
This isn’t a moment either, but people really look out windows a lot in this series. I’m sure it’s been mentioned in the many posts on it, which I tended not to read as not to spoil things, but I like it thematically. To me, it sort of heightens the sense of the series being about separation and perspective, in addition, of course, to Richard’s cravat, and one’s feverish hopes that he will remove it again.
Okay, question: I’m not entirely clear on Richard’s position vis a vis the strike. He won’t back down…is it because he can’t? Is there no compromise here? Do the strikers have no merit? I am having a hard time evaluating his position. At the dinner party, Richard seemed to appreciate her seeing different sides of an issue, but then he’s like, it’s horrible to bring them food.
Oh, how I could go on!
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